A George III mahogany open armchair in the Gothic taste, circa 1780

with a distressed needlework drop in seat

A fine example, with typical old marks and scratches, ingrained dirt and the sort of wear one would expect to see. There is rubbing to exposed edges/angles, notably on the legs. These chairs have a built up a layer of dark polish, which gives them an attractive patina. The trellised backs with age cracks. The left upright with a small hole. The front frieze rail with a dribbled stain mark. The rear legs with consolidated spliced repairs - this could be a secured age crack rather than a full break. The rear feet with small wedge shaped spliced repairs. The needlework seat appears to be 18th century but is in a poor state of repair. Traces of old worm to seat corner supporting blocks but stable.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present chair relates to the ‘Chinese Chair’ designs of Robert Manwaring, illustrated in The Cabinet and Chair-Maker's Real Friend and Companion first published in 1765. The lattice back also bares similarity to the Chinese and Gothick designs of Thomas Chippendale, however, the restrained simplicity of the pattern would suggest that Manwaring is the more likely source of inspiration.