- 413
A pair of Italian maple and amaranth inlaid armchairs Neapolitan, circa 1830
Description
- Maple, amaranth
Provenance
Literature
Giancarlo Alisio, Civilta dell’Ottocento: le arti figurative, Napoli, 1997, pp. 181-92, ill. 6.59.
Valentino Brosio, Mobili italiani dell’Ottocento, Milano, 1962, p. 55.
Alvar González-Palacios, Il Patrimonio Artistico del Quirinale. Gli arredi italiani, Milano, 1996, n. 35
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This set was probably executed prior to 1837, when related pieces appear in a portrait by Vincenzo Abbiati of Queen Maria Isabella in a Biedermeier interior, possibly the “Casino della Regina” in the grounds of the Capodimonte Palace (Museo Praz, Rome). It is interesting to note how, in those very years, the cabinet-maker Michele di Laura was delivering analogously inlaid furniture for the same residences.
Following the unification of Italy, furniture often circulated between the royal palaces; thus, in 1884 two armchairs and two chairs from the same group were sent from Naples to Capodimonte, and one console table found its way to the Quirinale in Rome, illustrated in Palacios, op. cit., n. 35. A related armchair in the Museo Praz is illustrated by Brosio, op. cit., p. 55.
An identical armchair and from the same Royal commission is currently in the Royal Palace in Naples (exhibited in Civilta dell’Ottocento, Naples, 1997, op.cit.)