Edward Hopper

Executed in 1922, this work is from the edition between 500 and 600, on wove paper, printed by Peter Platt, New York, published by The New Republic.

Private Collection, Japan

This work is in very good condition overall. The sheet is taped to the mount at two places along the top edge. The sheet is slightly age-darkened along the periphery on the front, not obtrusive to the image. On the reverse there is evidence of few small spots of black accretions.The bottom edge of the sheet has been cut and inscribed in pencil. Framed under Plexiglas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Born in 1882, Edward Hopper was a well-known 20^th century realist artist. In 1900, he attended New York School of Art and Design and after graduation he began trips to Europe which had a great influence on his works. In the present lot, a solitary figure walks down an empty city street in this dramatic composition viewed from above. Etching, a technique in which a composition is incised into a metal plate and then printed in ink on paper, was particularly suited to Hopper's style, allowing him to use strong, clean lines and cross-hatching to enhance the mystery of his chosen subject—here, the empty city at night.