- 64
PHILIPPE DRUILLET (NÉ EN 1944) SALAMMBÔ, CARTHAGE
Estimate
15,000 - 18,000 EUR
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Description
- PHILIPPE DRUILLET
- Encre de Chine sur papier
- 68 x 87 cm
Planche 39 – Tome 2 – 1982
(Dargaud – 1982)
(Dargaud – 1982)
Condition
Bon état.
Good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Une planche de Salammbô, l’une des œuvres majeures de Druillet en bande dessinée. Datée de 1982, elle est composée autour d’un découpage géométrique audacieux. Les trois cases se partagent la page en triangle, créant l’illusion d’une image générale en trois dimensions représentant le coin d’une pièce. Du grand art dans l’utilisation de la perspective en bande dessinée. La case 2 est une très belle scène de bataille suggérant la multitude d’une armée. L’encrage est particulièrement soigné. La densité de l’encre de Chine accentue l’effet crépusculaire de la scène.