Lot 198
  • 198

A portrait of a man, signed by Yahya Ghaffari, Persia, Qajar, dated 1294 AH/1877 AD

Estimate
20,000 - 30,000 GBP
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Description

  • guache on paper
gouache on paper, laid down on an album page with red and black inner borders, framed

Literature

R. Hillenbrand (ed.), Persian Painting, from the Mongols to the Qajars, London, 2000, p.92, no.11. 

Condition

In generally good overall condition, minor water stains, losses and repair to corners, thin tear to upper right hand edge, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

inscriptions

Signed and dated: Hunar az khanazad Abu'l-Hasan-i Thalith 1294 (1877 AD).

Yahya Ghaffari was the son of Qajar court painter Abu'l-Hasan Ghaffari, and also known as Abu'l-Hasan 'the Third'. Born into a wider family of well-known artists, Yahya was also a scribe at a time when painting and the arts of the book were extensively patronised by the court. This was particularly the case under Nasir al-Din Shah Qajar (r.1848-96), himself an enthusiastic photographer and painter. Yahya Ghaffari flourished between the 1860s and 1880s, and is thought to have died between 1895 and 1906 (see R. Hillenbrand (ed.), Persian Painting, from the Mongols to the Qajars, London, 2000, p.86).

Yahya Ghaffari's painting exhibits certain similar features to that of his father Abu'l-Hasan, with whom he almost certainly trained at a young age, and this can be seen in a portrait by Yahya of his father, painted in 1876 and signed (for the first time) using the honorific title 'Abu'l-Hasan the Third', bestowed on him by Nasir al-Din Shah (ibid, p.86 and p.92, no.10).