- 193
A youth within a rocky landscape, Persia, Isfahan, Safavid, circa 1590-1600
Description
- gouache and gold on paper
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
A Persian quatrain on the reverse in nasta'liq script on divine providence and what ever is fated to happen will happen.
The present album page's large-scale and fully-coloured painting carries the signature of 'Reza', potentially Aqa Reza, the name of the artist Reza-i 'Abbasi, in his early years. Whilst Reza-i 'Abbasi was certainly responsible for a number of single figure studies of various youths within landscapes, often holding bottles or cups, this particular painting, with its slender subject, exhibits a delicacy that one might associate more with Sadiqi Beg, who was also active at the same time.
The painting as a whole can be compared with another kneeling youth now in the Aga Khan Museum Trust Collection (see S.R. Canby, Princes, Poets & Paladins, London, 1998, p.73, no.44). When this painting was sold in these rooms on 7 July 1980, it was attributed to Reza-i 'Abbasi. However, Stuart Cary Welch and Anthony Welch later re-attributed it to Sadiqi Beg, citing the "elongated fingers and wispy hair" that it shared with a drawing in the Bibliothèque Nationale, Paris, also by Sadiqi Beg (ibid). These same features can be found in the present picture, as well as a similarity between the Chinese-influenced clouds, and the execution of the figure's garments, sash and turban.