- 121
Umberto Buscioni
Estimate
15,000 - 20,000 EUR
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Description
- Umberto Buscioni
- Particolari (da la luce verde)
- firmato, intitolato e datato 1967 sul retro
- grafite, olio e smalto su tela
- cm 99x113
Provenance
Galleria La Margherita, Roma
Galleria Flori, Firenze
Ivi acquistato dall'attuale proprietario
Galleria Flori, Firenze
Ivi acquistato dall'attuale proprietario
Exhibited
Roma, Galleria La Margherita, L’immaginazione lirica, 1973, illustrato
Prato, Farsettiarte, Umberto Buscioni. Oltre il margine, 1981, illustrato
Pistoia, Palazzo Fabroni, Umberto Buscioni. Mistero e rivelazione del quotidiano 1963-1991, Milano 1992, pag. 52, illustrato
Firenze, Centro Di, Umberto Buscioni, 1994, pag. 75, n. 32, illustrato
Monsummano Terme, Museo di Arte Contemporanea del Novecento, Villa Renatico Martini, La scuola di Pistoia, natura e oggetto, 2005, pp. 92-93, illustrato
Firenze, Frittelli Arte Contemporanea, Umberto Buscioni. Quel che resta è la pittura, 2008-2009
Prato, Farsettiarte, Umberto Buscioni. Oltre il margine, 1981, illustrato
Pistoia, Palazzo Fabroni, Umberto Buscioni. Mistero e rivelazione del quotidiano 1963-1991, Milano 1992, pag. 52, illustrato
Firenze, Centro Di, Umberto Buscioni, 1994, pag. 75, n. 32, illustrato
Monsummano Terme, Museo di Arte Contemporanea del Novecento, Villa Renatico Martini, La scuola di Pistoia, natura e oggetto, 2005, pp. 92-93, illustrato
Firenze, Frittelli Arte Contemporanea, Umberto Buscioni. Quel che resta è la pittura, 2008-2009
Literature
Enrico Crispolti, Umberto Buscioni 1963/1973, Firenze 1974, p. 49, illustrato
Lucilla Saccà, La Scuola di Pistoia. Natura e Oggetto, Pisa 2004, pp. 92-93, illustrato a colori
Lucilla Saccà, Serafino Flori. Storia di una galleria, Milano 2010, p. 42, illustrato
Lucilla Saccà, La Scuola di Pistoia. Natura e Oggetto, Pisa 2004, pp. 92-93, illustrato a colori
Lucilla Saccà, Serafino Flori. Storia di una galleria, Milano 2010, p. 42, illustrato
Condition
This work appears to be in generally good overall condition. The colours of the catalogue illustration are fairly accurate. There are light stretcher marks along the margins. There are scattered pin-pointed traces of dirt. there is a rubbing mark by the centre of the upper edge. There are few traces of threadlike craquelure, one by an indentation mark lower right and along the right upper margin.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."