Charles Hossein Zenderoudi

Private Collection, Tehran
Acquired directly from the above circa 1979

This work is in good condition with some minor paper cuts alongside the 4 edges. The paper is undulating throughout the surface, which inherent to the artist choice of medium and the creative process and in line with the age of the work. Some slight discoloration to some of the Indian ink, in line with the age of the work. Colours: The colours in the catalogue illustration are fairly accurate, with the overall tonality being slightly softer
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

« You cannot imagine the energy it takes to make an artistic work that is not redefined by such and such-wether it be religions, politics, etc.  In its essence, my artistic production does not have a specific audience, it applies to all human beings and those who call themselves my 'fans' – and I find that very funny! – those that have clearly understood my message of freedom and universalism. I am delighted about that. »

Extract from Charles-Hossein Zenderoudi's lecture in Paris; Sorbonne Paris I University, 1981