- 341
Erol Akyavas
Description
- Erol Akyavas
- Untitled
- oil on plywood
- 182 by 121cm.; 71 3/4 by 47 3/4 in.
- Executed in 1955.
Provenance
Gifted by the artist to the present owner in the 1960s
Exhibited
Literature
Ilona Akyavas, Jale Erzen and Zeynep Inankur, Erol Akyavas, Istanbul, 2007, p. 69, illustrated in colour
Exhib. Cat.; Istanbul, Istanbul Modern, Erol Akyavas – Retrospective, 29 May – 25 August 2013, p. 39, illustrated in colour
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Arriving into this new Western world that was significantly different than what he experienced in his home country or Europe, Akyavas practiced painting in the styles of Tachism and Abstract Expressionism which were prominent during the period and which also formed his core education in Turkey and in Europe. As Zeynep Inankur explains, “Though the East lay in his foundations, his formation was Western, and he later erected upon this what came from his own roots.”(Ilona Akyavas, Jale Erzen and Zeynep Inankur, Erol Akyavas, Istanbul, 2007, p. 7).
Untitled from 1955 is one of the earliest paintings created by Akyavas, painted when he was only twenty-three years of age and executed with a stunning balance of colour, line and form. The striking planes of blacks, whites, blues and greens exude a great sense of energy and movement to the composition as the eye shifts from one corner to the next. The changing perspectives add a unique depth to the work. The blues and whites emerging from the darker tonalities reminisce small windows opening to the skies.
After a solo show in 1954, Akyavas held his first art exhibition in New York in 1957, deciding not to continue his architectural career and placing further focus on painting. Shortly after both shows, Akyavas’ Glory of the Kings (1959) was to be acquired by the Museum of Modern Art in New York.
In the 1960s, Akyavas gifted the present lot to one of his dear friends, Bill Smith, who himself was an architect and an urban planner. They have shared many common interests and would be in touch regularly throughout the 1960s and 1970s. One of the last memories they have shared together was their drive from Michigan to New York for Akyavas to board a ship to Turkey in the early 1970s.
Untitled, by Akyavas presents a rare opportunity to acquire one of the earliest works by this prominent Turkish artist, considered to be one of the starting points of his long and successful career.