Louis-Ernest Barrias

Overall the condition of the bronze is good, with minor dirt and wear to the surface consistent with age. There is minor rubbing to the patina, notably at the high points. The trumpet is cast in sections, and there is a very slightly open but stable joint at the bottom. There are a few minor areas of scratching, including to the proper arm and hand, to the proper right cheek, and to the proper right forearm. There is minor dark spotting to the patina throughout, and a few small spots of greening to the orb. There is some dark staining to the wings. There is some minor oxidation in some of the crevices such as to the hands and the laurel wreath. The veined red marble base is in very good condition with a few small chips, particularly to the edges.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

La Renomée is a variation on the figure depicting literary fame which Barrias created as part of his monument to Victor Hugo (completed in 1902; destroyed in 1942). Barrias exhibited the independent statuette in silver and ivory at the Paris Salon in 1902. From around 1893, the Susse foundry offered Barrias' La Renomée in bronze casts, as well as examples with the head, arms and legs in ivory.