Attributed to the workshop of Lorenzo Bartolini (1777-1850) Italian, 19th century

By repute, collection of the Earl and Countess of Effingham

Overall the condition of the marble is good with minor dirt and wear to the surface consistent with age. The proper left little finger is reattached and there is a chip to the restoration area. There is veining to the marble consistent with the material, including a few white veins at the proper left shoulder blade and the proper left arm. There are several naturally occurring inclusions; some of these are filled, notably at the legs and the bird's proper left wing. There is a small restoration to the tip of the nose. There are a few minor stains, including to the legs. There are chips and abrasions to the edges of the terrasse. The revolving faux marble column is in good condition. Its wood lining has come off slightly at the edge of the top of the column. The column is composed in three sections. There are several chips and abrasions to the edges of its scagliola bottom parts.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This beautifully carved marble Seated Nymph relates to several models by Lorenzo Bartolini (1777-1850), the great Italian Neoclassical sculptor. The composition is in part derived from Bartolini's La Fiducia in Dio and his Ninfa (op. cit., nos. 14 and 25).

RELATED LITERATURE
Lorenzo Bartolini. Mostra delle attivita di tutela, exh. cat. Palazzo Pretorio, Prato, 1978, pp. 50-51, 69, nos. 14, 25