Louis Dejean

Museu Europeu d’Art Modern, Barcelona

Overall the condition of the marble is good with dirt and wear to the surface consistent with age. There are a few small chips and abrasions around the edges of the terrasse. There are some minor scratches, including across the shoulder blades. There is a small loss to the terrasse at the back. There is minor veining to the marble consistent with the material. There are a few dirt marks.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Louis Dejean was a leading disciple of Rodin, best known for his stylish nudes with rounded forms, which he developed after the end of the First World War. The present evocative nude probably dates to after 1930, and reflects the influence of Aristide Maillol (1861-1944). The composition is very similar to the Youth in the Marjon collection, which has been catalogued as circa 1930-1937 (Elliott, op. cit., no. 31).

RELATED LITERATURE
P. Elliott, After Rodin: French Figurative Sculpture 1900-1940 from the Marjon Collection, Perth, 2013, p. 72, no. 31