Italian, Trapani, probably 18th century

Overall the condition of the ivory is good with minor dirt and wear to the surface consistent with age. There is particular dirt to the crevices. There is minor stable splitting to the ivory consistent with the material, particularly at the back, and at the front on the proper right side (where there is an original insert). There are paint residues around the terrasse. There is staining to the back. There is a hole to the back, which may be the root canal.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This unusual ivory takes its composition from the 14th-century Madonna of Trapani in the Basilica of the Annunciation, Trapani, which became a major focus of devotion. Another ivory version is in the Victoria and Albert Museum (inv. no. A. 550-1910).