Follower of Jan van der Straet, called Stradanus

The support consists of a single, uncradled copper sheet. The sheet is flat. The paint surface is secure and clean. The colours are rich and vibrant. Inspection under ultraviolet light reveals an even varnish, as well as delicate and very small scattered retouchings. The work is offered in a gilt molded renaissance style frame, with a few minor knocks and losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The design derives, perhaps by way of Philippe Galle's engraving of 1574, from Stradanus' Crucifixion in Santissima Annuziata, Florence, signed and dated 1569.¹

1. Oil on canvas, 464 by 291 cm. See A.B. Vannucci, Jan van der Straet detto Giovanni Stradano, Milan 1997, pp. 130-131, reproduced cat. no. 30.