Lot 80
  • 80

Faber du Faur, Christian Wilhelm von

Estimate
5,000 - 7,000 GBP
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Description

  • [Blatter aus meinem Portefeuille, im Laufe des Feldzugs 1812 in Russland. Stuttgart: C.F. Autenrieth, 1843]
  • paper
Oblong folio album (377 x 595mm.), 96 lithographed plates (of 100), ALL BUT 2 COLOURED BY HAND, the plates of varying sizes mounted in an album, nineteenth-century morocco, titled in gilt on upper cover "Russischer Feldzug 1812", without text (printed separately), lacking title and 4 plates (no.94-96 and 99), a number of plates browned or toned, some mounts with marginal tears, binding slightly worn, upper hinge broken; sold as a collection of plates, not subject to return

Condition

the condition of this lot is as described in the catalogue description
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

A RARE DEPICTION OF THE FRENCH INVASION OF RUSSIA.

Christian Wilhelm von Faber du Faur (1780-1857) was a lieutenant in the Second Foot Artillery Battery of the Wurttemberg Army, an element in the massed host assembled by Napoleon for the invasion of Russia. Of the 15,000 Wurttembergers who set out, only a hundred returned to Poland in December 1812. Faber du Faur was one of these. He was a skilled amateur artist and, whilst on the march, made a detailed record of the campaign through sketches in pencil, ink and watercolour. These illustrations provide a graphic visual account of Napoleon's invasion, from the crossing of the River Niemen in June 1812 to the calamitous retreat in December, and include scenes of life in camp, of the Russian landscape and populace, of the problems posed by the weather, and of battle scenes.