Lot 154
  • 154

Ile de France, Paris, vers 1250-55 Ange céroféraire

Estimate
40,000 - 60,000 EUR
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Description

  • Ange céroféraire
  • médaillon en vitrail polychrome bleu, rouge, vert et jaune
  • Haut. 40 cm; diam. 39,5 cm; 15 3/4 x 15 1/2 in.

Literature

L. Grodecki, C. Brisac, Le Vitrail Gothique au XIIIe siècle, Paris, 1984, p. 104-106; F. Gatouillat, Notre-Dame de Paris. La Grâce d'une cathédrale, Strasbourg, 2012, p. 60-61, p. 265 et 291.

Condition

As the previous stained glass, this roundel depicting an Angel holding a candlestick was part of the monumental Rose window of the Northern transept of Notre Dame cathedral where it was placed in the lower left corner, and dismanteled by Viollet le Duc in 1862. The roundel is in very good condition overall with some minor wear to the drawing of the angel's face as well as to the lower grisaille clouds. The rectangular blue element to the upper left edge appears to be a later replacement. A few small breaks to the glass at the lower edge in the clouds and to the blue element in the lower right corner.The led lining has been generally reinforced, and the glass shows at the reverse remains of oxydation and traces of brushing to the surface at several places.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Comme le médaillon précédant, ce vitrail provient de la rosace du bras nord du transept de la cathédrale de Notre-Dame de Paris, et a pour pendant un vitrail du même sujet au musée de Génève. Stylistiquement, ce vitrail s'apparente à l'art parisien du milieu du XIIIe siècle, issu des ateliers de la Sainte Chapelle dont les peintres travaillèrent aux deux rosaces du transept de Notre-Dame.