- 17
Sultan Mahmud leading a hunting expedition, attributable to Daulat, Mughal, circa 1605
Description
- Brush and ink, heightened with gold and colour, on pape
Provenance
Sotheby's London, 15 June 1959, lot 117, an album, to Garabad for Kevorkian
Hagop Kevorkian, New York (1872-1962)
Hagop Kevorkian Fund
Sotheby's London, 21 April 1980, lot 129
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Daulat was a pupil of Basawan and became a favourite painter of the Emperor Jahangir. Self-portraits appear in both the 1595 Khamsa of Nizami and the margins of the Tehran section of the Gulshan Album (Brend 1995, p.64, and Pal et al. 1991, p.88, fig.1), but little more than his appearance and the fact that he was a Muslim is known about him. That his career started in the reign of Akbar is revealed by a page of the Baburnama of circa 1597 (Pal et al. 1991, p.89, col.fig.2). Daulat continued to paint during the reign of the Emperor Shah Jahan - a page of the great Padshahnama being attributed to him and dated circa 1635 (Beach, Koch and Thackston 1997, pp.110-1, no.46, pp.210-1). For further discussions of Daulat see Beach 1978, pp.113-116; Beach, Koch and Thackston 1997, p.215; Das in Pal et al. 1991, pp.87-104; Leach 1995, vol.II, pp.1101-02, Beach in Beach, Fischer and Goswamy 2011, pp.305-320; Verma 1994, pp.126-130; Leach 1995, vol.II, pp.1101-1102. For another page with similar borders from the Murray Album assembled in the 1780s, probably at Lucknow, and which had been dispersed by 1977, see lot 16 in this catalogue. Works of similar style by different artists are to be found throughout the so-called Chester Beatty Library Akbarnama of 1603-05 (see Leach 1995, vol.I, pp.232-294), including one with a closely related composition that was also in the Murray Album (see Sotheby's, London, 3 April 1978, lot 79).
John Murray, the patron who assembled the album from which this page originates, was a Scottish officer commissioned into the Bengal Army in 1781. He rose to the rank of captain in 1785 and was later appointed Military Auditor General with the rank of colonel. The album was first sold in these rooms on 15 June 1959, and a group was sold again in these rooms on 3 April 1978, with a further group on 21 April 1980, this page being lot 129.