- 153
Eight leaves from a Kufic Qur'an on vellum, North Africa or Near East, late 9th century AD
Estimate
6,000 - 8,000 GBP
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Description
- Vellum
- Approx. 140 x 200 mm each
text: surah al-anbiya (XXI) part of verse 109 to verse 111, and surah al-hajj (XXII) part of verse 14 to verse 30
Arabic manuscript on vellum, comprising 3 bifolia and 2 loose leaves, 5 lines to the page, written in bold elongated Kufic script in brown ink, verses separated by gold florets, vocalisation represented by red dots, one leaf with a large gold floral roundel with the word 'ashr' marking the tenth verse
Arabic manuscript on vellum, comprising 3 bifolia and 2 loose leaves, 5 lines to the page, written in bold elongated Kufic script in brown ink, verses separated by gold florets, vocalisation represented by red dots, one leaf with a large gold floral roundel with the word 'ashr' marking the tenth verse
Provenance
Acquired in London in 1970s
Condition
In reasonably good overall condition, one side of each leaf more faded than the other, losses to leaf edges, some stains, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
These eight leaves provide a fine example of 'Abbasid Qur'an production at its most stylised point in the late-ninth century. It is perhaps possible to define this style (equating to Déroche's group 'D' styles) as the mature 'Abbasid Kufic', with the script displaying the 'sober beauty' that Déroche mentions in the catalogue of the Nasser D. Khalili Collection (Déroche 1992, no.21). Manuscripts with this kind of austere beauty seem to emphasise the power and significance of the text through the execution of a confident hand; the use of horizontal stretching (mashq) abstracts some of the letters which underlines the centrality and iconic status of the word of the Qur'an. The vertical letter-forms provide a visual balance to the horizontal elongation but for the time being they are not the focus. Other features of the script which characterise the style include a relatively wide and even spacing of the letters along the lines and of the lines on the page; a typical horizontal format for the text area and page, few or no original letter-points, and a regular visual rhythm.
These eight leaves originate from the same manuscript as another leaf in the Nasser D. Khalili Collection (KFQ64, published in Déroche 1992, p.70, no.22). Another fragment is in the Topkapi Sarayi Museum, published in F. Karatay, Topkapi Sarayi Müzesi Kütüphanesi. Arapça yazmalar katalogu, I, Istanbul, 1962, no.53.