John Duncan Fergusson, R.B.A.

Private Collection

The sheet has a small surface abrasion in the water by the left hand submarine and a faint diagonal surface abrasion near it. Another faint surface abrasion in blue pigment of the right hand submarine. A small tear in the lower right corner approximately 4cm. The sheet has discoloured slightly. Held under glass in a gilt frame with a linen mount; unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

During World War One, Fergusson reportedly requested to be placed as a War Artist in the Navy, stating preference for the blue uniform. The request was denied, but in July 1918, Fergusson was granted permission to make studies of naval vessels in Portsmouth harbour. The present study appears to show a ship in dazzle camouflage, designed to confuse enemy forces while at sea. Along with the collection of drawings in Lot 7, one of which shows a preliminary study for this work, the watercolour reveals the manner in which Fergusson approached a new subject matter, far removed from his portrait or landscape work.