Lot 52
  • 52

Ignaty Ignatievich Nivinsky

Estimate
40,000 - 60,000 GBP
bidding is closed

Description

  • Ignaty Ignatievich Nivinsky
  • The Dance
  • signed in Cyrillic and dated 1915 l.r.
  • oil on canvas
  • 40.5 by 47.5cm, 16 1/4 by 18 3/4 in.

Condition

The canvas has been lined, is attached to a new stretcher and the original tacking edges are missing. There is craquelure throughout, most noticeably on the bodies of the female dancers. There are frame abrasions along the edges. There is a light layer of surface dirt. Inspection under UV light reveals retouching along all four edges, a vertical line of retouching running from the top edge to the right shoulder of the dancer on the left, to the face and left leg of the figure on the right, to the head of the central female figure, two areas below the male figure as well as scattered retouching in places. Held in a gold painted wooden frame with plaster mouldings. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The present lot dates from the mid-1910s which was the most fruitful and productive period of Nivinsky's career. At this time he was influenced as much by the Old Masters as Paul Cézanne, and works such as the present lot demonstrate the artist's desire to combine the monumentality and permanence of Renaissance sculpture with contemporary artistic developments.