(Drama)

William Lower. The Amourous Fantasme. Hage, John Ramzey, 1660. 12mo. First edition of Lower translation of Quinault's Fantome Amoureux, engraved frontispiece. Manuscript corrections on 3 pages. Last blank torn. Contemporary sheep, rebacked. (Not in Wing; Greg, 814 (A1)) — Thomas Randolph. Poems. London: F. Bowman, to be sold by John Crosley, 1668. 8vo. Complete, with half-title. Foxing and small tears. Contemporary calf. Rebacked. Provenance: J. Hanning (?); Earl of Fitzwilliam. acquisition: Seven Gables — William Davenant. Two Excellent plays. London: G. Bedel and T. Collin, 1665. 8vo. Contemporary sheepskin. Rebacked. (Wing D 347) — William Killigrew. Three Plays. London: T. Mabb for John Playfere, 1665. 12mo. First edition. Contemporary sheepskin. Bottom of spine repaired, modern paper title label on first panel. (Wing K 469). Provenance: Mary Portman. acquisition: Seven Gables — Robert Baron of Gray's Inn. Mirza. A tragedie. London: H. Moseley and T. Dring, [1647].  8vo. First edition. Light foxing and dampstaining. Contemporary sheepskin. Joints fragiles. (Wing B 891). Provenance: John Brodrick; David and Lulu Borowitz. acquisition: Gift from Charles Klein — Giovanni Battista Guarini - [Richard Fanshawe]. Il Pastor Fido. The Faithfull Shepherd. London: R. Raworth, 1647. 4to. Engraved frontispiece portrait. First edition. Light foxing and small tears. Contemporary calf. Rubbed. (Wing G 2174). Provenance: John Salkeild; Fairfax of Cameron. acquisition: Traylen — Giovanni Battista Guarini - Richard Fanshawe. Il Pastor Fido. The Faithfull Shepheard. London: H. Moseley, 1648. 4to. Engraved frontispiece portrait. Second edition. Light foxing. Contemporary black morocco. Spine rubbed. (Wing G 2175). Provenance: Marquess of Tweeddale. acquisition: Pickering & Chatto.