Paul Sandby, R.A.

William Sandby
P. & D. Colnaghi & Co., London

Watercolor over pencil on paper. The sheet is in generally good condition. Pinholes at the corners. Surface dirt and scattered spots of discoloration/foxing. Light stain and minor mat burn. Handling creases. Minor nicks and tears at the extreme edges, especially the lower edge. VERSO: surface dirt. Staining from previous glue at corners and edges. In overall good condition and ready to hang.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This drawing is a study for a figure within Paul and Thomas Sandby’s watercolor Ascot Heath Races (see Jane Roberts, Views of Windsor Watercolours by Thomas and Paul Sandby, London, p. 134, no. 47). That work was painted in circa 1765 and acquired by George, Prince of Wales in 1799. Thomas Sandby was responsible for the landscape elements of the composition, while his younger brother Paul invented the large crowd of figures, who are shown watching the end of an exciting horserace. Other drawings by Paul connected to this watercolor survive in the Royal Collection, the Paul Mellon Centre for British Art and Birmingham City Museum and Art Gallery.