Ansel Adams

mounted, signed in pencil on the mount, the photographer's Carmel studio stamp (BMFA 11), with title and date in ink, on the reverse, circa 1960, printed between 1973 and 1977 (400 Photographs, p. 399)

In raking light, a one-and-a-half inch linear impression that does not appear to break the emulsion is visible in the upper right quadrant. There are very small losses of emulsion and chipping at the print's edges, and the corners are bumped. Also in raking light, scattered tiny deposits of original retouching are visible. The mount is soiled and darkened along the edges. The reverse is heavily soiled, age-darkened, and foxed. There are also 4 tape remnants and abrasions on the reverse. Karen Haas's and Rebecca Senf's book, 'Ansel Adams in the Lane Collection,' publishes the most comprehensive list to date of the studio stamps and labels Adams used throughout his career. Our dating of this print is based upon the authors' assessment of the use dates of stamp 11 on the reverse of the mount: 1973 through 1977.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.