Lot 27
  • 27

Hans Bellmer

Estimate
8,000 - 12,000 EUR
bidding is closed

Description

  • Hans Bellmer
  • 'La Poupée', 1934
  • photograph
Tirage argentique d'époque.

Provenance

Gabrielle Keller
Alessandra and Simon Wilson
Bloomsbury Londres, Photographs, 21 avril 2009, lot 7
Collection particulière britannique

Literature

Agnès de la Beaumelle (éd.), Hans Bellmer: Anatomie du désir, cat. expo., Paris, Centre Georges Pompidou/Gallimard, 2006, ill. p. 81, pl. 255;
Pierre Dourthe, Bellmer: Le principe de perversion, Paris, Jean Pierre Faur, 1999, ill. 36, pl. 37;
Alain Sayag (éd.), Hans Bellmer: photographe, Paris, Centre Georges Pompidou/Filipacchi, 1983, ill. p. 26, pl. 24;
"Poupée. Variations sur le montage d'une mineure articulée", Minotaure, n°6, décembre 1934, ill. p. 31;
Hans Bellmer, Die Puppe, Karlsruhe, s.n., 1934, ill. p. 31.

Condition

This print is in overall very good condition. With some silvering throughout, a creased handling mark (approx. 2 cm) in the lower right quadrant, and a minute repaired tear on the lower edge.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Cette épreuve provient de la célébre collection dada et surréaliste de Gabrielle Keller (1908-1995). Cette photographie fait partie des tirages de dimensions différentes que l'artiste donnait à ces amis lorsqu'il arriva à Paris. 

This print was originally in the collection of Gabrielle Keller (1908-1995), who formed a major collection of Dada and Surrealist art and literature. This photograph is most likely one of the extra prints of this image in different sizes that Bellmer is known to have made for his friends after his 1935 arrival in Paris.