Workshop of Andrea (1435–1525) or Giovanni della Robbia (1469-1529) Italian, Florence, early 16th century

with a paper label numbered: 1322 on the reverse

Overall the condition of the relief is good with wear and some dirt to the surface consistent with age, including some dirt in the crevices of the corners. There are a few chips and some wear to the glaze at the edges of the relief, the edge of the lunette and the high points of the rays of the sun, some of which was caused by the mount. The reverse was later stabilised with clay. The metal mount has some oxidisation.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A similar panel with the Christogram and the mottled background is found in an altarpiece with the Nativity in the Church of Santa Maria degli Angeli in La Verna, produced by the workshop of Andrea della Robbia.

An expertise by Alfredo Bellandi and Giancarlo Gentilini is available for inspection.