Attributed to the Workshop of the Master of the Kefermarkt Altar (fl. circa 1470-1510) Upper Austrian, circa 1500

titled: Judas and: Simon to the bases; Simon inscribed: 3 and Judas: 4 in pencil to the reverse

Overall the condition of the wood figures is good, with dirt and wear to the surfaces consistent with age. There is some wear to the gilding and polychromy, including some losses, in particular to the blue of Simon's dress and mantle, to the gilding at the bottom of Judas's dress, and to Judas's drapery on the proper right side. There is a likely loss to Judas's proper left sleeve at the wrist. There is some stable splitting to the wood consistent with the material, notably to Simon's chest and a section of Judas's drapery on the proper right side. Further splitting is visible at the backs. A semicircular section of Judas's book is carved separately. There is a metal mount for hanging to the back of each figure.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present figures depicting the Apostles Judas and Simon are distinguished by their extraordinarily lifelike appearance and masterfully carved drapery. These qualities have caused them to be associated with the anonymous workshop responsible for the celebrated Kefermarkt Altar in Upper Austria, a defining work of Gothic wood sculpture from the last decade of the 15th century. The Apostles' facial style, with high cheekbones, as well as the pointed folds and waves of their drapery, are shared by the Kefermarkt figures.

RELATED LITERATURE
H. Schindler, Der Schnitzaltar. Meisterwerke und Meister in Süddeutschland, Oesterreich und Südtirol, Regensburg, 1987, pp. 153-154