- 535
Studio of Justus Sustermans
Description
- Justus Sustermans
- Domenica delle Cascine, la Cecca di Pratolino and Piero Moro
- oil on canvas
Catalogue Note
It is an unusual subject for Sustermans, habitually associated with the official family portraits of the Medici. The picture emerges rather from the Florentine genre of carnival or burlesque painting, which reached its apogee in the 1620s, exemplified by artists such as Giovanni da San Giovanni, Jacques Callot and Filippo Napoletano, and extended into Florence and the Medici court in the form of theatrical entertainment. The figures are vigorously characterised in minute detail and Sustermans casts each figure in their 'role' with distinguishing attributes. The connection with theatre and the taste for jokes probably also accounts for the indecent gesture the Moor is seen to make with his right hand behind the back of the 'Cecca di Pratolino'.1
1. This mocking gesture also occurs in some Caravaggesque subjects, such as the Fortune Teller in the Palazzo Pitti, Florence (inv. no. 6).