Lot 560
  • 560

Eugenio Cajes

Estimate
8,000 - 12,000 GBP
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Description

  • Eugenio Cajes
  • The Crucifixion of a male Saint, possibly St. Philip
  • signed and dated lower centre: Eugenius Cagesius / Catholici Regis Philippi . 4 / Pictor . fecit . 1627 .
  • oil on canvas, unlined

Provenance

Anonymous sale, Seville, Arte, 19 May 2004, lot 292, for 83,000 euros.

Condition

The canvas is unlined, the paint surface is stable and the varnish appears even but somewhat discoloured. Inspection under ultraviolet light reveals three damages: one measuring 1 in. above the heads of the standing figures on the left; another in the right hand of the facing figure on the left; and a third, well-restored, to the left of the shin of the figure bottom right, measuring 2 in. in length. Both these damages are supported by canvas patches on the reverse. There are also signs of stabilised lifting towards the edges. There are two horizontal lines running parallel through the centre of the canvas with lines of restoration along them, perhaps from a fold. Also visible under ultraviolet are scattered old retouchings and strengthenings but the painting is in overall good condition, with much of the impasto in its original state.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Philip III appointed Cajes Painter to the King (Pintor del Rey) in 1612, hence the form of the signature. Cajes painted a similar scene, depicting the martyrdom of St. Philip in 1630 as part of the Retablo de San Felipe in Torrelaguna (see D.A. Iñiguez and A.E. Perez Sanchez, Historia de la Pintura Española. Escuela Madrileña del primer tercio del siglo XVII, Madrid 1969, pp. 231-2, nos. 33-37, reproduced plate 183).