Peter van Lint

Anonymous sale, New York, Sotheby's, 17 October 1997, lot 24, whence believed to have been acquired by the present owners.

The canvas has a recent and firm relining, which has resulted in a flattened paint surface. The colours remain strong and the details remain sharp. A slight discoloration to the clouds is noticable and retouching below the eye of the central figure is visible. A repair measuring approximately 10 by 10 cm is visible below the knee of the figure at the far right. Traces of frame abrasion can be seen around the margins. Inspection under ultraviolet light reveals an uneven varnish and scattered retouchings to the sky. Very few scattered retouchings are present in the figures. Overall the condition is good. This lot is offered in a simple wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The attribution was first proposed by Jan de Maere, based on photographs, at the time of the 1997 sale.