Attributed to William Doughty, after Sir Joshua Reynolds, P.R.A.

The canvas has an old relining. The paint surface is very dirty, and covered by a yellow varnish. It still retains its texture in the sitter, and in some of the foliage. Under drawing is visible. Inspection under ultraviolet light shows delicate infilling of craquelure in the sitter's face, retouching lower left of her skirt, very few scattered retouchings elsewhere. There are no major damages and overall beneath the dirt the paint is in a good state of preservation. This lot is offered in a heavy gilt wood frame, with decorative mouldings, in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A reduced later copy, in reverse, after the original by Sir Joshua Reynolds, now in the collection of The Huntington, Los Angeles, inv. no. 25.20 (see D. Mannings, Sir Joshua Reynolds, A Complete Catalogue of his Paintings, New Haven 2000, p. 125, cat. no. 327, plate 77, reproduced).