Giuseppe Nogari

The canvas has a firm relining, which has resulted in a flattened paint surface. Although there are traces of impasto in the whites. The paint surface is clean. Craqulure can be seen throughout. Inspection under ultraviolet light reveals an even varnish and two campaigns of restoration. The first campaign is to the craqulure in the body, garments and head. The second, older campaign consists of retouchings to the easel, the left forearm. the left shoulder, the white garment above the palette, as well as localised retouching to the chin and hairline. The work is offered in a gilt molded frame with elaborate corners, in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."