After Tiziano Vecellio, called Titian

The canvas has a firm relining, resulting in a flattened paint surface. The paint surface is secure, stable and very clean. Minor frame abrasion is visible along part of the edges. Inspection under ultraviolet light reveals an even varnish and small, scattered retouchings in the white undergarment and in both hands. Otherwise, the work is largely free of retouchings. The work is offered in a gilt molded frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This painting is a copy after Titian's Portrait of Pope Paul III of 1543, in the Gallerie Nazionale di Capodimonte, Naples (inv. no. 130).¹

1. See P. Humfrey, Titian, Bruges 2007, p. 189, cat. no. 136, reproduced.