Lot 111
  • 111

Jacob Ferdinand Voet

Estimate
10,000 - 15,000 GBP
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Description

  • Jacob Ferdinand Voet
  • Portrait of Victor Amadeus II, King of Sicily and Sardinia (1666–1732)
  • oil on canvas, oval

Provenance

Private collection, Italy.

Condition

The canvas has been relined, the paint surface is stable and only slightly dirty. The varnish is even and fluoresces milkily under ultraviolet light, which reveals multiple, but very sensitively-rendered, retouchings to the sitter's face, and strengthenings in the cravat, not visible to the naked eye. There is also a patch of repaint on the right side of his hair. Offered in a carved gilt wood frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Vittorio Amedeo II acceded to the Dukedom of Savoy in 1675, when only nine years old. He supplanted his mother who had acted as Regent in 1684, and this portrait type probably dates from around that date. Voet painted the young Duke on at least three occasions, and this seems to have been the most popular likeness. Petrucci records some ten studio versions or copies, but until now no autograph version was known.1 We are grateful to Dr. Francesco Petrucci for confirming the attribution to Voet on the basis of photographs, and stating that, in his opinion, this is the best of the known versions of the composition.

1. F. Petrucci, Ferdinand Voet (1639–1689) detto Ferdinando de' Ritratti, Rome 2005, pp. 276–77, nos. 288a–l.