Studio of Robert Walker

Anonymous sale, London, Sotheby's, 23 November 2006, lot 22.

The canvas, on what is probably a 19th century stretcher, has been relined. The paint surface is stable and secure. There are two minor scratches, at the lower right and left edge respectively, both measuring approximately 5 cm. There is a very small paint loss just above the sitter's head. On the forehead of the sitter, a very small area of infilling to craqulure can be seen and very minor infilling is also visible to the left of the nose. Inspection under ultraviolet light reveals an uneven varnish and retouching to the right shoulder, as well as small scattered retouchings to the background. The work is offered in a gilt molded frame with a few very minor losses.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A studio variant of the three-quarter length portrait of Cromwell and his page by Robert Walker, which exists in a number of versions. What is thought to be the prime version hangs in the National Portrait Gallery, London (inv. no. NPG 536).