Jean-Baptiste Greuze

Lord Currie (according to an inscription on the reverse of the frame).

The circular panel is cradled and flat, the paint surface is stable with a clear and even varnish. There are a handful of scattered retouchings in the left of the background and in the flesh tones of the sitter (predominantly in the neck), all of which are discoloured and visible to the naked eye. Inspection under ultraviolet light confirms these retouchings and some further cosmetic strengthenings scattered throughout the dark tones of the hair, particularly below the girl's left ear. In overall good condition, much of the original brushwork and impasto in the flesh tones is very well preserved.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

We are grateful to Alastair Laing for endorsing the attribution upon first hand inspection of the painting.