Lot 149
  • 149

Jean-Michel Moreau, called Moreau Le Jeune

Estimate
6,000 - 8,000 GBP
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Description

  • Jean-Michel Moreau, called Moreau Le Jeune
  • A convoy
  • Pen and brown ink and wash, within brown ink framing lines

Condition

Laid down on an old mount. The sheet has yellowed somewhat, with areas of light foxing and minor abrasions to the sheet throughout. There is a light brown stain to the centre of the sheet and some light grey stains to the left quarter. The medium is generally fresh throughout.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

This highly unusual linear composition by Moreau portrays a lengthy convoy of thirty eight cart horses towing what appears to be a mighty obelisk on a trailer behind them.  To the rear of the convoy are two smaller horse drawn carriages, one of which carries a woman seated next to a large barrel, presumably carrying sustenance for the party, while behind this another carriage is spilling over with other logistical essentials, such as spare wheels, just in case the main carriage, under the weight of its load, should come a cropper. Beyond this other horse drawn carriages, one of which is adorned with accompanying footmen, can be seen travelling in both directions, whilst in the foreground, the road is lined with groups of passers-by, many of whom have stopped to witness the convoy on its way. Rather charmingly, within the central group of figures, a man can be seen seated with what appears to be a sketchbook propped up in front of him, while behind him men and women eagerly gather to look over his shoulder and inspect his work.