Kokoschka, Oscar

looking forward with excitement to the proofs of the book, asking him to crown his work by asking his look-outs to inform him when he may expect the proofs, enquiring about translations, mentioning Edith Hoffmann, observing that it would be a shame if the book were not given the same circulation opportunites as any publication for a French or English artist would receive, noting the importance of Spanish and the fact that he has many supporters in South America, requesting him to see to these matters although they are time-consuming and not his responsibility, and enclosing a signed photograph [not included here] with his thanks for all his kindness 

...Nun bin ich so in Spannung und Erwartung der proofs von dem Buch!!!...Nun was ist mit Übersetzungen?...es wäre ein Verlust wenn das Buch nicht dieselben Verbreitungschancen hätte wie sie doch für jede Publikation über einen franzosen oder Englischen Maler selbstverständlich sind...



2 pages, oblong 8vo, 55 Park Lane [London], 15 April 1946, tiny stain

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A characteristically dynamic letter to the influential publisher Kurt Maschler, who had started during the war a notable series of art books with R. H. Wilenski at Faber & Faber. The book whose proofs are discussed in the letter is apparently Edith Hoffmann's Kokoschka: Life and Work, published by Faber in 1947.