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Pacita Abad (i) Blue Screen (ii) Red Screen Each: Signed and dated 88; signed, inscribed and dated 1988 on the reverse
Estimate
80,000 - 150,000 HKD
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Description
- Pacita Abad
- (i) Blue Screen (ii) Red Screen
- Each: Signed and dated 88; signed, inscribed and dated 1988 on the reverse
- Each: Mixed media
- Both works are accompanied with the artist's original frames.
Provenance
Private Collection, USA
Condition
Both works are in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
"I always feel good when I am in my studio and just being there in front of a blank canvas is like starting all over again. You wonder how you are going to start again but the experience makes you very humble. It makes you clean. Facing the blank canvas I feel that this new piece is the most important thing that I am going to work on. You are faced with another future. To hell with what you have done."
– Interview with Ian Findlay-Brown, Asian Art News, 1994