Pham Hau

The work is in good condition overall. The colours are brighter and more vibrant than they appear on the catalogue. No visible nicks or chips on the panels and the wood is smooth with no cracks or warping. Minor wear and handling is evident around the borders but does not take away from the overall quality of the work. No restoration is found under ultraviolet light inspection.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Commemorated as one of Vietnam’s most important and finest lacquer painter in history, Pham Hau perfected the meticulous technique under the prestigious tutelage of Professor Imguimberty. At the European-modelled academy, Pham Hau was exposed to classical Western paintings, which inspired him to revive the traditional subject matters of lacquer craft. He began experimenting with three dimensional compositions on a flat plane, and eventually built an impressive repertoire that redefined the medium with modern Vietnamese aesthetics and themes. Pham Hau demonstrated a profound grasp of both Eastern and Western artistic principles and philosophies through his paintings; his poetic landscape compositions offer us a glimpse into the rich and complex culture of Vietnam.

Executed circa 1940, the present Lot Goldfish of Abundance exemplifies the exceptional quality of lacquer works produced during the Golden Era of Vietnamese Art (1940 – 1945). The refined and precise brushwork describing the aquatic world demonstrates Pham Hau’s unparalleled technical virtuosity and supreme workmanship. Translucent layers of lacquer colours in various shades of gold, vermillion, brown and amber, are meticulously applied onto the panel to delineate the intricate textures of the various goldfish. Their delicate scales shimmer against the deep burgundy sea, echoing the symbolic meaning of this work, for the goldfish symbolizes both wealth and abundance in ancient Chinese culture. Swimming towards the luxuriant sea-plants in a manner resembling a sensuous S shape, the school of goldfish creates a sense of visual rhythm. The combination of colours, composition and exquisite detailing articulates a mixed contrast of simplicity and luxury, and of exuberance and quiet elegance.