Nguyen Gia Tri

Private Collection, France
Sotheby's Hong Kong, April 2 2012, Lot 288

The work is in good condition overall, as is the panel. There are scattered networks of craquelures, primarily on the black background. There is evidence of minor wear and handling, along with associated nicks and chips, but the mother of pearl inlay appear secure and stable. Examination under ultraviolet light shows areas of minor retouching predominantly on the corners and edges, along with a vertical area of restoration on the reverse of the panel which does not affect the frontal image and aesthetics. This is not visible with the naked eye. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Nguyen Gia Tri began to settle in Saigon during the French Colonization, but it was not until the late 1950s that he began to compose his now famous and important lacquer works. Talented, creative and inquisitive, Gia Tri explored and mastered abstract composition, which led to the formation of an art movement that developed a dialogue between Eastern and Western lacquer traditions, and cemented the artist as the preeminent 20th century Master of Vietnamese lacquer.

Abstract Composition demonstrates Gia Tri's dedication and commitment to the avant-garde movement where East meets West. Through the lacquer's stunning, spellbinding form of gold and silver, he captured energy and existence – presenting both a mysterious depth and internal light. A fine example of Gia Tri's combination of the abstract with traditional lacquer materials gives the flat surface boldness, richness, and rhythm to the work, and denotes another ground breaking piece by Nguyen Gia Tri.