Lot 197
  • 197

Egon Schiele

Estimate
100,000 - 150,000 USD
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Description

  • Egon Schiele
  • Akt (Nude)
  • Signed Egon Schiele and dated 1912. (center right); stamped with the Nachlass stamp (on the verso)
  • Pencil on paper
  • 18 3/8 by 12 in.
  • 46.7 by 30.6 cm

Provenance

(Probably) Fritz & Grete Blaskopf, Vienna & London
Peter Spelman & Alexandra Aldham, England (by descent from the above and sold: Sotheby's, London, December 5, 1985, lot 442)
Acquired at the above sale by A. Alfred Taubman

Literature

Jane Kallir, Egon Schiele: The Complete Works, New York, 1990, no. 1048, illustrated p. 468
Jane Kallir, Egon Schiele: The Complete Works, New York, 1998, no. 1048, illustrated p. 468

Condition

Executed on cream wove paper, not laid down. The sheet was prepared with a think layer of white primer. The edges have been cut irregularly. Some faint flattened creases, notably running diagonally in the right and left corners. Some minor stains from old framer's table visible in the verso of the upper corners. The sheet is lightly time stained and there are a few scattered faint spots of foxing, otherwise fine. This work is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“It is always a pleasure to look at drawings by Egon Schiele. Superb how, while completely renouncing light and shade, tone and colour, the entire life, the whole expression of the subject appears captured in the contour alone.”

Adalbert Seligmann quoted in Peter Vergo, Art in Vienna 1898-1918, London, 1975, p. 241