Two Crucifixions, in two historiated initials [southern Netherlands or perhaps Rhineland, late 15th or early 16th century]

2 cuttings, each 52x48mm, vellum, probably from a Missal or Breviary, minor pigment losses but the main scenes in good condition

Condition is described in the main body of the cataloguing where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The cuttings represent different iconographic versions of the Crucifixion: one shows Jesus on the Cross between Virgin Mary (wiping tears from her eyes) and John the Evangelist; a fine landscape provides a tranquil backdrop, contrasting with the energetically swirling acanthus of the initial; the second one is much more crowded and busy: Jesus on the Cross is flanked by two criminals, as described in the gospels. The foreground figures are the Virgin Mary and John, again, and behind them are Roman soldiers including Stephaton and Longinus, with the vinegar-soaked sponge on a reed, and a lance, respectively. The style suggests an origin in north-western Europe, perhaps Flanders or somewhat further east into Germany, but the extreme miniaturization makes further precision difficult.