Circle of Sir Thomas Lawrence, P.R.A.

Oil on canvas, lined. The picture surface is somewhat flattened and pressed though in overall good condition. There is a stable web of craquelure is visible over the entire picture. Areas of abrasion are visible at the extreme edges, especially along the left edge, as well as in the upper right corner and in the background at lower left. There is a puncture with accompanying loss in the letter the figure holds in his hand. Under UV light, there has been strengthening to the shadows in the gentleman's coat and face. The majority of the work is obscured by a green fluorescing varnish, though his cravat and the letter he holds both appear to have been cleaned of this varnish. Small scattered spots of retouching are visible throughout. Framed and in overall good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

John Kaye was the Accountant General to the Hon. East India Company in Bombay. He was married to Miss Elizabeth Browne of Clapham in 1818 and died in Surrey on 23 July 1823. This handsome portrait was likely painted circa 1820, when the sitter had returned to England. A possible attribution to John Patridge has been suggested.