Lot 19
  • 19

Coward, Nöel

Estimate
1,500 - 2,000 GBP
bidding is closed

Description

  • Coward, Nöel
  • I'll Leave It To You. London: Samuel French, Ltd. [c.1920]
  • paper
8vo (215 x 135mm.), FIRST EDITION OF THE AUTHOR'S FIRST PLAY PRODUCED IN THE WEST END, SIGNED BY THE AUTHOR ("'I feel rather promising' | Nöel Coward") on front free endpaper, original purple buckram with paper label on upper cover, browning and spotting to endpapers, spine slightly faded, minor splitting to front hinge

Condition

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

I'll Leave it to You was Coward's first full-length play to be produced in the West End in July 1920. It ran for a month (after an initial try-out in Manchester) at the New Theatre (later renamed the Noël Coward Theatre) and was also Coward's first play in America. Coward, then aged 20, appeared in the role of Bobbie.

Reviewed in The Manchester Guardian on 4 May 1920, the play was described as "perhaps the neatest thing of its sort we have lately had in Manchester", but reviews in London were somewhat mixed. St. John Ervine writing in The Observer stated "Mr Coward, who played the part of the younger son, has a sense of comedy, and if he can overcome a tendency to smartness, he will probably produce a good play one of these days. Some of his lines are engagingly funny..." (The Observer, 25 July 1920). The Times, describing the piece as an "unpretentious, light-hearted, and quite delightful little play", concluded their review by noting "it is a remarkable piece of work from so young a head".