European Clock

incised J.H. M^cNAIR

Overall in very good condition. Please contact the department for additional photographs of the clock showing the back and its delicately executed door, and for any additional details of the clock. When viewed in person, the wood appears with a richer color than in the catalogue illustration with nuances of light and dark brown. The enameled dial is also of a dark electric blue. The dial presents with light and subtle hammered surface that further enhances the delicacy of the work. The wood surfaces with minor surface scratches, minor surface dirt to the recessed portions of the design and minor discolorations throughout, consistent with age and gentle use. The wood presents with minor evidences of drying consistent with natural aging of the material. The silver surfaces with minor surface scratches, minor surface dirt and a few minute abrasions consistent with age and gentle use. The arms of the clock are slightly bent as visible in the catalogue illustration and with minor wear to the enamel. The movement possibly replaced. Movement is not guaranteed to run at the time of cataloguing and was not tested for accuracy of time and may need service at the buyer’s discretion. A wonderful work of art displaying a refined design and a very delicate execution. -----
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

James Herbert McNair (1868-1955) is the lesser known member of the "Glasgow Four," which included Charles Rennie Mackintosh and their wives, the Macdonald sisters. Little is known of McNair’s life and work. In the early 1900s, both couples exhibited in London, Vienna and Turin, before being struck by financial difficulties in 1905 that would eventually lead to the end of McNair’s artistic career.

Although this clock is incised J.H. McNair in a manner that is consistent with known examples of the artist's signature, document has yet to be found that supports the attribution to McNair. The design of the clock presents a strong resemblance to the Glasgow School aesthetic, its strict lines revealing the influence of the Viennese Secession, yet retaining elements of fluidity characteristic of the Glasgow style through the numerals and slightly arched legs. It is as if the clever backdoor mechanism had been designed to conceal its mysterious history.