- 165
Shiro Kuramata
Estimate
10,000 - 15,000 USD
bidding is closed
Description
- SHIRO KURAMATA
- "How High the Moon"
- nickel-plated steel
Provenance
Acquired directly from the firm by the present owner
Literature
Shiro Kuramata 1934-1991, exh. cat., Hara Museum of Contemporary Art, Tokyo, 1996, pp. 60 and 181
Ettore Sottsass, "Una Mostra Dedicata a Shiro Kuramata," Domus, December 1996, p. 55 (for an example of the chair model at the Hara Museum of Contemporary Art, Tokyo, 1996)
Alberto Bassi, "Shiro Kuramata: Il Design Transparente," Casabella, July/August 1999, p. 18 (for a drawing of the model)
Charlotte and Peter Fiell, eds., 1000 Chairs, 2000, p. 575
Shiro Kuramata, Tokyo, 2000, fig. 15
Ettore Sottsass, "Una Mostra Dedicata a Shiro Kuramata," Domus, December 1996, p. 55 (for an example of the chair model at the Hara Museum of Contemporary Art, Tokyo, 1996)
Alberto Bassi, "Shiro Kuramata: Il Design Transparente," Casabella, July/August 1999, p. 18 (for a drawing of the model)
Charlotte and Peter Fiell, eds., 1000 Chairs, 2000, p. 575
Shiro Kuramata, Tokyo, 2000, fig. 15
Condition
overall in good original condition. The chair presents with some light patina, surface oxidation and scattered surface dirt consistent with gentle use and possible exposure to the elements. A wonderful deeply sculptural work showing the artistry of Kuramata. -----
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
INTRODUCTION:
The following eight lots represent works from the collection of renowned theater artist Robert Wilson. The works were formerly housed and on view at The Watermill Center in eastern Long Island, New York. The Watermill Center, established by Robert Wilson, is a study center for the arts and humanities that supports an unparalleled global residency program, complemented by educational programs with local schools and institutions, public events such as open rehearsals and lectures, tours of the collection, building and grounds, and seminars and symposia of international reach. Resident artists living and working together among Watermill’s extensive collection of art and artifacts lies at the heart of the Watermill experience. Each of these offered works are photographed within the setting of the foundation and collection that have inspired Robert Wilson and the artists who have participated in the residency program of this very unique and esteemed institution.
The following eight lots represent works from the collection of renowned theater artist Robert Wilson. The works were formerly housed and on view at The Watermill Center in eastern Long Island, New York. The Watermill Center, established by Robert Wilson, is a study center for the arts and humanities that supports an unparalleled global residency program, complemented by educational programs with local schools and institutions, public events such as open rehearsals and lectures, tours of the collection, building and grounds, and seminars and symposia of international reach. Resident artists living and working together among Watermill’s extensive collection of art and artifacts lies at the heart of the Watermill experience. Each of these offered works are photographed within the setting of the foundation and collection that have inspired Robert Wilson and the artists who have participated in the residency program of this very unique and esteemed institution.