A LARGE AND BRILLIANT GOLD-SPLASHED TRIPOD INCENSE BURNER LATE MING / EARLY QING DYNASTY

the compressed globular body rising from three small conical feet to a cinched neck and everted rim set with two vertical loop handles, the base cast with an apocryphal six-character Xuande mark within a recessed rectangle, the exterior patinated to a golden russet tone and highlighted with irregular gold splashes

Overall good condition, with typical oxidisation to the interior and tips of feet, and general surface west and scratching.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The surface of the incense burner is covered in irregular spots and flakes of gold, seemingly emerging from the alloy at different angles, in the random fashion that minerals such as gold are discovered in their natural state. This gives a most pleasing overall appearance, the gold splash not distracting from the overall shape of the vessel but subtly reinforcing its rare class.

The origin of gilt-bronze splash remains a source of speculation. Gerard Tsang and Hugh Moss in Arts from the Scholar’s Studio, Hong Kong, 1986, p. 184, mention that the popularity of this surface decoration was fostered by Xuande bronzes of the Ming dynasty where the appearance of the gilt splashes was caused by the uneven surface patination of the vessel. Some scholars have linked gilt-splashed decoration on bronzes to qingbai and Longquan wares of the Song, Yuan and Ming dynasties. 

Compare a bronze tripod incense burner similarly decorated with irregular flakes of gold, from the J. de Lopes bequest and now in the Victoria and Albert Museum, London, illustrated in Rose Kerr, Later Chinese Bronzes, London, 1990, pl. 15 (right). See also a gold-splashed tripod incense burner from the collection of Ulrich Hausmann, sold in these rooms, 8th October 2014, lot 3407.