Group of Karat Gold, Diamond and Enamel Buttons

Comprising seven large and six small buttons of round-cornered square forms, each inlaid with diamonds and red enamel in the front, back applied with red, green and blue champlevé enamel of floral design, mounted in 12 karat yellow gold. (13)

Colour and Clarity: In our opinion, the diamonds of very thin cut with foil-back, are slightly tinted colour, SI to I clarity. Condition: Most of the enamel paints are in good condition, but there are a few minor chips, mainly appear to the green colour, generally on side or back which is not prominent to visual check. Signs of surface abrasions to the metal, overall in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

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Indian Art of Enamelling

The technique of enamelling, being a major jewellers’ discipline, was most probably imported to India by European jewellers in 16th or early 17th century. Despite not having any links to artistic techniques historically employed in India and its neighbouring countries, this medium quickly found its place in the imperial workshops during emperor Akbar’s reign. This group of buttons (Lot 1414) is decorated by champlevé enamels which demonstrate an application technique often seen in jewelleries and daggers from Mughal-era India. The areas to be filled with enamels are excavated with gravers and chisels, instead of using wire or metal strips for separating colours.