A CLOISONNÉ AND GILT-METAL ALTAR EMBLEM QING DYNASTY, QIANLONG PERIOD

modelled in columnar form with an elephant standing four square on a double lotus base, all raised on a waisted circular platform enamelled with swirling waves and lotus lappets, sustaining a vase tied with ribbons

The lotus and elephant are slightly loose but firmly attached to the base. The metal pin at the top of the elephant's back may be a later replacement of the original attribute. There are some general areas of enamel loss, such as one front and one hind leg of the elephant, and the blue lotus pod seeds. The turquoise enamels on the lotus pod underneath the elephant shows extensive crazing. There are characteristic pinholes and minor bubbling to the enamels. There are minor dents and rubbing to the gilding.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present emblem forms part of the Seven Treasures or the Seven Regal Symbols, Qizhengbao, which according to Buddhist Sutra, were brought to earth by the Universal Monarch, the Chakravartin.