Design

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Lot 30
  • 30

Ernest Boiceau

Estimate
4,000 - 6,000 EUR
bidding is closed

Description

  • Paire de rideaux et embrasses, vers 1925
  • textile
  • Chacun : 286 x 175 cm (Each : 112 1/2 x 68 7/8 in.)
soie brodée au point de Cornely

Exhibited

Ernest Boiceau set up his embroidery workshop in 1910 and, to begin with, supplied both the fashion and the theatre world. He patented the Point de Cornely, an embroidery stitch derived from Emile Cornely’s research in 1865, and began to apply this technique to his own drawings in 1924-1925. The periodical ‘l’Art Vivant’ praised this technique in 1927, explaining that it enlivened artworks’ surfaces.

Condition

FR : Bon état général. Traces d'humidité et légère insolation sur les bordures. EN : Good overall condition. Humidity stains and insolation on the sides.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Ernest Boiceau crée son atelier de broderie en 1910 et fournit dans un premier temps le monde de la mode et du théatre. Il dépose une licence pour le Point de Cornely, point de broderie dérivé des recherches d'Emile Cornely en 1865 et applique cette technique à ses propres dessins à partir de 1924-1925. La revue "l'Art Vivant" en fait l'éloge en 1927, expliquant que cette technique rendait vivante la surface des oeuvres